SHARE

is an open jam, not just for digirati, but new culture lovers in general. Participants bring their portable equipment, plug into our system, improvise on each others' signal, and perform live audio and video. We furnish the amplification and projection. Share happens every Sunday from approximately 7 pm to 1am.

# 31.7.05

VJ Benton-C


For over two decades Benton-C Bainbridge has pursued moviemaking as a realtime, performable art form, playing live audiovisuals in a multitude of group and solo contexts. Using custom digital, analog and optical systems, Benton-C seeks to capture music's human abstraction in moving images.

# 31.7.05

Synaesthesiologists

is a collection of visual music by numerous international artists.

# 31.7.05

c/o pop


festival for eletronic pop culture

# 31.7.05

SOLU


is a finnish visual agitator and cultural activist based in Barcelona.

# 31.7.05

mobuzzTV

TV for the mobile generation

# 31.7.05

Garage Cinema Research

is a research group lead by Professor Marc Davis at UC Berkeley's School of Information Management and Systems (SIMS) that is focused on creating the technology and applications that will enable daily media consumers to become daily media producers.

# 31.7.05

Toshio Iwai

born in Aichi prefecture, Japan, in 1962. As an interactive media artist, Iwai began making experimental animations in 1981, moved on to working with pre-cinematic 'toys' such as flipbooks and zoetropes, and since 1986 has been interested in the computer game as a 'visual music system'.

# 31.7.05

FireANT

is an RSS video aggregator and media player that can automatically download media content for you to watch and listen to.

# 31.7.05

FreeVlog

A step-by-step guide to setting up a videoblog for free.

# 31.7.05

The Internet Archive

is building a digital library of Internet sites and other cultural artifacts in digital form. Like a paper library, we provide free access to researchers, historians, scholars, and the general public.

# 31.7.05

UGF

www.undergroundfilm.org

# 31.7.05

Cena Detroit

Qualquer análise histórica que se possa fazer da música eletrônica reserva um capítulo à parte para a cena de Detroit.

# 30.7.05

CIMATICS

is an international platform and festival for live audiovisual arts & vj'ing.

# 28.7.05

Visual Sensations VJ competition


Visual Sensations was the first national VJ competition held in Netherlands and Belgium. Both countries have a vibrant VJ scene and the competition featured an impressive selection of performances which had been created with great skill and dedication.

# 28.7.05

VJ Culture

no pixelACHE 2005.

# 28.7.05

Escrita Sonora

Amit Pitaru’s impressive Sonic Wire Sculptor takes advantage of JSyn (Java software synth) to create a turntable that reads 3-dimensional wire compositions drawn in space.

# 27.7.05

Android Project


A team of artists, writers, engineers, literary scholars, and freethinkers have created a life-like android portrait of the Science Fiction author Philip K. Dick. Hanson Robotics, the FedEx Institute of Technology, and the Automation and Robotics Research Institute at the University of Texas Arlington collaborated to create this powerful memorial to the author.

# 27.7.05

Grime no celular

The success of a U.K. music genre known as grime, championed by the likes of Dizzee Rascal, has made rapping to mobile phones a popular pastime for a lot of British young people.

# 27.7.05

Volta dos MUDs

Playing on Your IPod: Text Games

# 27.7.05

TRANQUERA

Primeira festa dedicada ao Grime em São Paulo

# 27.7.05

Adriana Amaral

Visões obscuras do underground: Hackers e Rivetheads — o cyberpunk como subcultura híbrida

# 26.7.05

Graffiti Analysis

makes visible the unseen movements of graffiti writers in the creation of a tag. Motion tracking, computer vision technology and a custom C++ application are used to record and analyze a graffiti writer’s pen movement over time. These gestures are processed and used to produce algorithmically generated digital projections which appear at night in motion on the surfaces of buildings in New York City. Relationships are created between analogue and digital graffiti styles, forming a link between traditional graffiti, experimental street art and new media. Graffiti is re-presented in the language of information analysis, offering a system for greater understanding of a highly coded form of creative expression.

# 26.7.05

LAVA

Los Angeles Video Artists

# 26.7.05

Neuromixer

VJ software

# 26.7.05

MD-P1 (edirol)

Exploring the possibilities of visual performance

# 26.7.05

simon reynolds

blissout

# 18.7.05

Verso e Reverso

versoereverso.unisinos.br

# 17.7.05

Adriana Amaral

Espectros da ficção científica. A herança sobrenatural do gótico no cyberpunk.

# 17.7.05

Gamer BR

dá uma geral na cena brasileira do universo da jogatina online e dá voz a gamers, produtores, donos de lans, jornalistas, psicólogos, antropólogos, políticos, representantes do governo e entusiastas do gênero sobre questões como profissionalismo dos ciberatletas, mercado, "vício", pirataria, políticas de incentivo, censura e a tão discutida "violência" nos games.

# 17.7.05

NU braços?

Syrian-Lebanese hospital to perform first surgery to implant robotic arm.

# 17.7.05

BurningMan Festival


burningman.com

# 17.7.05

Bijou Breaks

The Source for breaks & breakbeat

# 16.7.05

Bibliografia para estudo do vjing

ALMEIDA, C. O que é vídeo. São Paulo: Brasiliense, 1984.

ARMES, R. On video. O significado do vídeo nos meios de comunicação. São Paulo: Summus, 1999.

BHABHA, H. O local da cultura. Belo Horizonte: UFMG, 1998.

BAKHTIN, M. Estética da criação verbal. São Paulo: Martins Fontes, 2003

______. Marxismo e Filosofia da Linguagem. São Paulo: Hucitec, 1997.

______. Problemas da poética de Dostoievski. Rio de janeiro: Forense Universitária, 2005.

______. Questões de Estética e de Literatura. São Paulo: Annablume, 2002.

BAMBOZZI, L. Outros Cinemas [www.vjing.com.br]. 08.03.2005.

BASBAUM, S. Sinestesia, arte e tecnologia. São Paulo: Annablume, 2002.

BENJAMIN, W. Magia e técnica, arte e política: ensaios sobre literatura e história da Cultura. São Paulo: Brasiliense, 1994.

BETH, B. Bakhtin: conceitos-chave. São Paulo: Contexto, 2005.

______. Bakhtin: dialogismo e construção de sentido. São Paulo: Unicamp, 2005.

CALABRESE, O. A idade neobarroca. Lisboa: Edições 70, 1987.

CAMPOS, H. A arte no horizonte do provável. São Paulo: Perspectiva, 1977.

CANCLINE, N. Culturas Híbridas. São Paulo: Edusp, 1997.

CHION, M. Audio-vision. New York: Columbia University Press, 1990.

______. Músicas, media e tecnologias. Lisboa: Instituto Piaget, 1994.

COLLIN, M. Altered State the story of ecstasy culture and acid house. London: Serpent´s Tail, 1997.

CONNOR, S. Cultura pós-moderna. Introdução às teorias do contemporâneo. São Paulo: Loyola, 1993

DEKKER, A. Synaesthetic Performance In The Club Scene [www.cosignconference.org/cosign2003]. 02.06.2005.

DOMINGUES, D. A arte do século XXI: a humanização das tecnologias. São Paulo: UNESP, 1997.

DURÁ-GRIMALT, R. Los videoclips: precedentes, orígenes y características. Valencia: Universidad Politécnica de Valencia, 1988.

DRUCKEY, T. Eletronic Culture. New York: Aperture, 1996.

ECO, U. Obra aberta. São Paulo: Perspectiva, 1976.

EISENSTEIN, S. O sentido do filme. Rio de Janeiro: Jorge Zahar, 2002.

FISKE, John. Television Culture. London: Routledge, 1995.

GOODWIN, A. Dancing in the distraction factory: music television and popular culture. Minneapolis: University of Minnesota Press, 1992.

HEBIDGE, D. Subculture: the meaning of style. London: Routledge, 1977.

HOLSOPPLE, J. Toward a poetic of Visual Music [www.centerforvisualmusic.org]. 30.06.2005.

JAKOBSON, R. Lingüística. Poética. Cinema. São Paulo: Perspectiva, 2004.

JOHNSON, S. Cultura da Interface. Rio de Janeiro: Jorge Zahar, 2000.

KAPLAN, A. O Mal-estar no Pós-modernismo. Rio de Janeiro: Jorge Zahar, 1993.

______. Rocking Around the Clock. Music Television, postmodernism & consumer culture. Londres: Methuen, 1987.

KELLNER, D. A cultura da mídia. São Paulo: EDUSC, 2001.

KRISTEVA, J. Revolution in Poetic Language. New York: Columbia University, 1984.

LEMOS, A. Cibercultura, tecnologia e vida social na cultura contemporânea. Porto Alegre: Sulina, 2002.

LÉVY, P. Cibercultura. São Paulo: 34, 1999.

MACHADO, A. A arte do vídeo. São Paulo: Brasiliense, 1988.

______. A televisão levada a sério. São Paulo: Senac, 2000.

______. Máquina e Imaginário. São Paulo: Edusp, 1993.

______. Pré-cinemas &Pós-cinemas. São Paulo: Papirus, 1997.

MACHADO, I. Escola de semiótica. A experiência de tartu-Moscou para o estudo da cultura. São Paulo: Ateliê, 2003.

MARCEL, M. A linguagem cinematográfica. São Paulo: Brasiliense, 2003.

MILLER, P. Rhythm Science. Cambridge: MIT, 2004.

MANOVICH, L. The Language of New Media. Cambridge: MIT, 2001.

MORAN, P. A montagem dos VJs: entre a estimulação ótica e a física [www.vjing.com.br]. 05.03.2005.

NÖTH, W. & SANTAELLA, L. Imagem: cognição, semiótica, mídia. São Paulo: Iluminiras, 1997.

______. Comunicação e semiótica. São Paulo: Hacker, 2004.

PARENTE. A. Imagem máquina: a era das tecnologias do virtual. Rio de Janeiro: 34, 1993.

PLAZA, J. Tradução Intersemiótica. São Paulo: Perspectiva, 1987.

PORTER, D. Internet Culture. London: Routledge, 1997.

REYNOLDS, S. Generation Ecstasy: into the world of techno and rave culture. London: Routledge, 1999.

RIESER, M. & ZAPP, A. New Screen Media. London: BFI, 2004.

SANTAELLA, L. Comunicação e Pesquisa: Projetos para mestrado e doutorado. São Paulo: Hackers, 2001.

______. Cultura das Mídias. São Paulo: Experimento, 1996.

______. Culturas e artes do pós-humano: da cultura da mídia à cibercultura. São Paulo: Paulus, 2003.

SARLO, B. Cenas da vida pós-moderna: intelectuais, arte e video-cultura na Argentina. Rio de janeiro: UFRJ, 1997.

SCHNAIDERMAN, B. Semiótica Russa. São Paulo: Perspectiva, 1979.

STAM, R. Bakhtin: da teoria literária à cultura de massas. São Paulo: Ática, 1992.

______. Introdução à teoria do cinema. São Paulo: Papirus, 2003.

THORTON, S. Club Culture: music, media and subcultural capital. Londres: Wesleyan University, 1996.

WILLIAMS, R. Cultura. Rio de Janeiro: Terra e Paz, 2000.

YOUNGBOOD, G. Expanded cinema. New York: Dutton, 1970.

# 14.7.05

Lev Manovich

new media / culture / software

# 14.7.05

OPTRONICA


A hybrid of film festival and music festival, Optronica is a brand new five day event focusing on the convergence of visuals and music.

# 14.7.05

Anthology Film Archives

is an international center for the preservation, study, and exhibition of film and video with a particular focus on American independent and avant-garde cinema and its precursors found in classic European, Soviet and Japanese film.

# 14.7.05

ITVS

Independent Television Service

# 11.7.05

Karlheinz Stockhausen

stockhausen.org

# 11.7.05

Santiago Ortiz

has built an interesting group of visual musical ‘instruments’ in Flash that explore notions of syneasthetics, combinatorial music and audio-visualisations of fractal landscapes. The pieces have a playful exploratory trajectory of interaction - processing abstract graphical systems into sound and music, and vice versa.

# 10.7.05

The Sound of Mathematics

This site has GM MIDI files of algorithmic music determined by mathematics and the musical preferences of a human.

# 10.7.05

Scratch Video

a mutant hybrid of scratch DJ music and guerrilla TV

# 10.7.05

KRAFTWERK

quase tudo...

# 10.7.05

Tripofagia

Trip-hop & DownbeatZ

# 10.7.05

The worlds of Nam June Paik

www.guggenheim.org

# 8.7.05

KODE 9

LIKE A VIRUS

# 8.7.05

Vjing, a Oitava Arte?

Tour do VJ Spetto pela 3ur0pA

# 8.7.05

Entretextos

Revista electrónica semestral de estudios semióticos de la cultura

# 6.7.05

Semiotics

University of Tartu

# 6.7.05

Peeter Torop

Cultural semiotics and culture

# 6.7.05

Roman Jakobson

1a biografia

# 5.7.05

language is a virus

languageisavirus.com

# 5.7.05

videoDictionary

The latest TheVideoArtFoundation project, is a collection of one-minute video works, wordless in their images or soundtracks, that describe a word. videoDictionary is a project subject to constant updating. Its launch in London, including new productions and a new open call is due in spring 2005, within the Island Film and Video Festival.

# 5.7.05

Galaxy

Avant-garde Film-Makers
Look Across Space and Time

# 5.7.05

Hirshhorn Museum

Visual Music

# 5.7.05

Ying Tan

THE UNKNOWN ART OF JORDAN BELSON

# 5.7.05

Janet Murray

www.lcc.gatech.edu/~murray/

# 5.7.05

Primeiros passos de uma nova arte

O artista e pesquisador Noah Wardrip-Fruin fala sobre o futuro da linguagem dos “games”.

# 5.7.05

Remix Planet

Have you noticed? Everywhere you look, pop culture has been digitized, resequenced, and reassembled. Remixed. It started in music with hip hop samples and extended dance versions. It moved to movies, with director's cuts and Tarantino-style swipes from other films. Now it's spread to TV, games, music videos - even cars and fashion. From Kill Bill to Gorillaz, from custom Nikes to Pimp My Ride, this is the age of the remix.

# 5.7.05

Invisible Culture

This journal is dedicated to explorations of the material and political dimensions of cultural practices: the means by which cultural objects and communities are produced, the historical contexts in which they emerge, and the regimes of knowledge or modes of social interaction to which they contribute.

# 4.7.05

James Elkins

www.jameselkins.com

# 4.7.05

IVSA

The purpose of the IVSA is to promote the study, production, and use of visual images, data, and materials in teaching, research, and applied activities, and to foster the development and use of still photographs, film, video, and electronically transmitted images in sociology and other social sciences and related disciplines and applications.

# 4.7.05

DivX Clásico

www.divxclasico.com

# 4.7.05

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